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NEWS

dzis sa nasze urodziny dyndo
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Art D'Egypte Dyndo
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Natalia Bażowska ,Martyna Czech, Wiktor Dyndo, Magda Hueckel, Bartosz Kokosiński, Krzysztof Maniak
Paweł Matyszewski, Jana Shostak, Małgorzata Wielek 

 

Opening and panel discussion with artists

11.01.2024 / 6pm
The Centre for Creative Activity in Ustka

Exhibition

11.01 – 29.03. 2024
Witch’ Tower in Słupsk
Small Gallery in Słupsk
The Centre for Creative Activity in Ustka 

 

Curator / Roman Lewandowski 

www.pgsw.pl

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Painting Breaking News 04, joined The Museum of Warsaw Collection

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Post-History
Wiktor Dyndo - Nina Haab 

Galeria Szydłowski

ul. Nowolipie 13/15 , 00-150 Warsaw

WARSAW GALLERY WEEKEND 2021
30.9 - 19.11.21

Revolving about the concept of wait and its role in public and private narratives, the two artists of the exhibition Post-History investigate dimensions of time and storytelling. 

Swiss artist Nina Haab explores the mechanisms of temporal suspension, the construction of memories and the act of remembering. The installation Peppy Wrecks (2021) celebrates embracing the unknown and the ability of existing in contradictions as acts of resilience while overcoming adversities. Two parts of one unique piece of furniture appear to us standing on sand, carrying on their surfaces mysterious drawings and the sentence: “You wouldn’t have guessed”. Along with Peppy Wrecks, Haab’s new series Locus Amoenus (2020) deals with the topos of an idyllic place capable to heal the body and the mind, while her drawings from Vue sur Jersey (2018-2020), remind us of the impossibility to have the totality of the picture where private and global narratives intertwine.

Questions connected to notions of reality and their representations are also related to Wiktor Dyndo’s practice. The Warsaw-based painter works with a realist style to increase the un-easiness of a world that, through an overwhelming and ubiquitous media-apparatus, has become “too real, too frightening”: too close and too ungraspable. His series Breaking News (2019-2020) presents the homonymous’ caption superposed on still lives, seashores, or baroque interiors. This heightens the effect of waiting for an event, for something to “happen”, to manifest, while using for these estheticized images the typical square format of the Instagram feed. Questioning the role of information and meaning in contemporary societies, Dyndo produces visual breaks that are both static and frantic, reflecting on notions of anxiety and wait.